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International version released in 35mm only, under the title Beginning of the Great Revival. Filmed with the Fusion Camera System.*** Pirates of the Caribbean: On Stranger Tides Limited engagement.** ģD conversion cancelled.*** 45 minutes printed with a 1.78:1 aspect ratio for IMAX 70MM prints and 1.90:1 for IMAX Digital. 3D converted version eventually released direct-to-video due to time constraints.***+ Harry Potter and the Deathly Hallows – Part 1 Preceded by the short subject Fur of Flying.*** Legend of the Guardians: The Owls of Ga'Hoole The longest single-platter 70mm DMR film to date.*** Re-released as a 10th Anniversary on 12 August 2020.*** įirst Chinese DMR release. Preceded by the short subject Day & Night. Originally 2D 12-minute opening converted to 3D. About half-a-minute of footage exclusive to the IMAX version. Night at the Museum: Battle of the SmithsonianĪbout 9 minutes filmed with IMAX 70mm cameras. ** Ĭlosing credits changed to slide format and one closing credits song omitted to reduce running time.*** Jonas Brothers: The 3D Concert Experience First DMR film to surpass 150 minutes.* Īspect ratio cropped to 1.43:1 for IMAX 70mm prints.*** Preceded by 6-minute preview of The Dark Knight.* įirst mainstream release in IMAX Digital.*** Īspect ratio cropped to 1.43:1 for IMAX 70mm prints.* įirst mainstream feature to be partially shot with IMAX 70mm cameras, with 28 minutes of footage. Re-release with 2 minutes of additional scenes. Originally 2D, 20-minute finale converted to 3D. Harry Potter and the Order of the Phoenix End-credits sped up to fit the film to the IMAX platters.* Screened with no end credits in some theatres with newer IMAX equipment which had platter size limits.* Ģ0 minutes converted to 3D.
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Aspect ratio cropped to 2.00:1 for the entire film. First worldwide DMR release.* įirst 3D DMR film. Closing credits changed to slide format due to platter size limits. 22 minutes shorter than the 35mm version due to older IMAX equipment having platter size limits.
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Star Wars: Episode II – Attack of the Clones 24 minutes shorter than the 35mm version due to older IMAX equipment having platter size limits. (**+) = Released in both IMAX Digital and IMAX with Laser. (***) = Released in both IMAX Digital and IMAX 70mm. Typically nippy fight choreography by Yuen Woo-ping adds spice, while a punch-up which begins in a lift proves a slick highlight to an otherwise uneven film.This list includes the films which have been released in IMAX theaters. There’s a West Side Story liveliness to some early scenes, after which the patchy story plods messily towards a projected showdown with Cheung Tin-chi (played by Zhang Jin, who had an eye-catching role in Wong Kar-wai’s The Grandmaster), who challenges Ip to prove which of them is the true master of Wing Chun. Donnie Yen returns as Ip Man, with whom we pick up in Hong Kong, 1959. Sadly, the necessary technology does not exist to breathe life into Mike Tyson’s performance as lumbering thug Frank, who speaks two languages but is coherent in neither. Lee’s estate protested, and the plan was dropped, the incidental role being filled instead by Danny Chan.
#Ip man 3 showings series
T his third instalment in the quasi-biographical series ruffled feathers during pre-production when it was announced that a CGI simulacrum would be employed to bring Bruce Lee back from the dead to play himself.